BACK STAGE WEST
January 30, 2003
Theatre funding org's new programs to develop artists and
companies rather than new plays.
by Rob Kendt
After six months
of often skeptical rumors about its future and the death of its namesake, West
L.A.-based Audrey Skirball-Kenis Theater Projects has unveiled a streamlined
set of new funding programs aimed, in its words, at supporting "great
work, great people, great companies." Programs for commissioning and
developing new plays have been trimmed (along with A.S.K.'s literary
department), replaced by an emphasis on largely unrestricted cash grants for
artists and companies who've done work that, in the words of executive director
Kym Eisner, "meets our mission: It challenges conventions and values the
collaborative process."
In other words:
same message, different medium.
"The program
areas are all either rethought or new," said Eisner last week. "All
the decisions we've made are to enable us to put more money directly in the
hands of people who create art. Artists are always going to be in a better position
to determine their needs than organizations; and what's driving all these
programs is the urge to give artists their power back."
The most
promising program for individual artists is the new "TIME grant"
program: Standing for "Time for Inspiration, Motivation, and
Exploration," TIME will award four to six artists annually with $45,000
grants each to "pursue their artistic development." The program,
which will not accept applications but will evaluate nominations from an
invited panel, is intended for experienced but under-recognized theatre
professionals--actors, playwrights, designers, composers, directors,
choreographers, producers/presenters--and requires of them merely some
occasional reporting on their progress and a few retreats with fellow honorees
to "hang out and talk about art," as Eisner put it.
Also brand new,
and heartening for local theatre makers who feared that A.S.K. may be setting
its sights outside its backyard, is the Los Angeles Initiative, an annual
program giving "season support" to L.A.-area theatre companies who
have demonstrated a commitment to producing challenging new work over a period
of at least three years; eligible companies must have budgets ranging from
$75,000 to $1.5 million. The program has a total $75,000 purse, which Eisner
estimated will be channeled into six to eight grants per year. A.S.K. will
accept applications to this program by "invitation only."
The other
brand-new program, the Audrey Award, is an intriguing national initiative
designed to recognize "the original non-commercial American theatrical
production that best advances the art form." In its first year of
consideration--which, like all the new programs, begins in fall 2003--a total
of 36 new productions in L.A., New York, and Chicago will be seen by an anonymous
jury of five. Their votes will hand a $25,000 first prize to the production
team responsible for the year's top show (and $5,000 to three runners-up). As
with the first two programs, no applications are accepted; instead, A.S.K. will
seek nominations from a selected panel.
The new focus on
grants for artists and organizations, as opposed to mainly playwrights, is not
entirely new, said Eisner. "Over the last four or five years, we weren't
so literary anymore. We've been trying since 1997 to focus on new theatre, not
just new plays and playwrights." Last year's tumultuous reorganization, in
which longtime literary director Mead Hunter and others were let go, was part
of a complete overhaul in the same direction. While Eisner said that last
year's negative rumors and speculation about the organization did not influence
the new programming decisions, a national advisory committee that convened last
summer did have a lot of input. The TIME grants, for instance, came directly
out of advisory committee members, such as playwrights Naomi Iizuka and Erik
Ehn, saying, according to Eisner, "Give us back the power." Eisner
said she'd felt that a slew of $10,000 play commissions weren't "really
making a difference; we were spread too thin." Last week, upon hearing about
the new programs, one member of the advisory committee reportedly told her,
"Those TIME grants could change someone's life."
Two programs that
remain--Hot Properties, a three-play season of new work co-produced with L.A.
County at the Ford Amphitheatre, and New Plays/New Ways, which funds
established theatres' new play development programs--remain open to
applications from individuals and companies. For information about these, and
all of A.S.K.'s programs, visit www.askplay.org.