LOS
ANGELES TIMES
November
19, 2004
THEATER
BEAT
Countercultural
'Freedomland'
Amy
Freed's "Freedomland," a Pulitzer Prize finalist, is only 7 years
old, but already it's getting the kind of actor-showcase production typically
reserved for routine desecrations of the works of Shepard or Shanley.
Based
on this misbegotten rendition, one might wonder at the tastes of the Pulitzer
committee. Even in its sleek 1997 production at South Coast Repertory, Freed's
freewheeling family dramedy played like a post-hippie "Heartbreak
House" -- an often witty, occasionally insightful look at millennial
malaise among the overeducated that was as offhandedly engaging as it was
unmemorably slight.
When
Noah (Bill Dearth), who's a bit of a cross between Ken Kesey and Papa
Hemingway, welcomes his three adult children back home for a weekend of
bickering, bonding and assorted sortings-out, the gathering builds to a
contrived confrontation between the old man and son Seth (Scott Brady), who
represents the misdirected frustration of a generation raised in
countercultural confusion.
Some
of Freed's intergenerational comedy of missed connections comes through. But
under David Barry's direction, no one onstage seems to quite know what they're
saying, or exhibits any sense of what makes these smart, quirky people tick,
let alone tick each other off.
--Rob Kendt
"Freedomland," 3KO Broadway Theatre Company at
Sidewalk Studio Theatre, 4150 Riverside Drive, Burbank. 8 p.m. Fridays and
Saturdays. Ends Dec. 18. (No performances Thanksgiving weekend.) $15. (818)
685-9939. Running time: 2 hours, 10 minutes.