LOS
ANGELES TIMES
Oct.
1, 2004
THEATER
BEAT
If satire is what closes on Saturday night, then Henry
Fielding's 18th century burlesques--apparently trenchant enough in their time
to make even Jonathan Swift bust a gut--are way past their sell-by date.
Though
it was his political lampoons that got him run off the stage (from which he
turned, happily, to novel writing), Fielding got his biggest laughs at the
expense of theatrical and literary icons of the day.
And
if his politics seem remote to us, his aesthetic references are positively
alien.
This
is a problem for "The Author's Thumb," writer-director Dennis
Gersten's shotgun marriage of two Fielding spoofs, "The Author's
Farce" and "The Tragedy of Tragedies, or The Life and Death of Tom
Thumb, the Great." Nearly every line of the latter is a send-up of works
well-known to Fielding's contemporaries--sniggering in-jokes that can mean
little to anyone who hasn't brushed up lately on their Spencer or Dryden.
That
leaves Gersten's eager but uneven cast to mug and mince about in period wigs and
breeches as if there's something very funny going on. The result often suggests
Ed Wood doing a Restoration-comedy version of a fairy tale, particularly
whenever the moptop Tom Thumb (Blake Walker, on kneepads) and an
Elvira-as-Valkyrie giantess (Noel Evangelisti, on platform shoes) are onstage.
The
only consistently strong performer is the Bert Lahr-ish Jon Mullich, in two
supporting roles. With his phlegmatic delivery and an uncanny ability to raise
his eyebrows while squinting, Mullich somehow makes some theatrical sense of
this strange brew. As for the rest--well, I guess you had to be there.
"The Author's Thumb," Theatre Unlimited at T.U.
Studios, 10943 Camarillo St., North Hollywood. 8 p.m. Fridays-Saturdays, 7 p.m.
Sundays. $15. (866) 811-4111. Running time: 1 hour, 50 minutes.