LOS ANGELES TIMES
November 14, 2003
THEATER BEAT
All entertainers are messed-up head cases running from squalid,
unloving childhoods into the unquestioning embrace of the audience.
Sound familiar? Then "Disappearing Act," a flimsy
evening of warmed-over magic tricks and pop psychology, has no breaking news,
and scant entertainment value, to offer.
Micah Cover stars as Sonny Aquinas, a twentysomething magician
whose act, or what we see of it, is engagingly new-school and conversational.
He pulls off some striking feats with an empty paper bag and what look like
shifting hot coals.
But the tricks are few and far between, and they're poorly
integrated into a perfunctory narrative: Nubile psych grad student Molly
(Jennifer Chu) is writing her thesis on magicians. Before you can say
"shazam" she's hopped into Sonny's bed, though to her frustration
physical intimacy is all he has to offer. How to get him to open up about his
painful past? And while we're at it, what is Molly hiding?
As tiresomely simplistic as Peter Fox's script is, his direction
is just as inept, with the callow Cover playing scene after scene with his head
turned upstage. Seasoned trouper Jeff Doucette provides some matter-of-fact
pathos as a blarney-spouting, iron lung-toting coot who claims to be Sonny's
long-lost father.
Joel Stoffer's simple, striking set works best for a lyrical,
low-lighted magic sequence--incidentally, one of the few times the magician's
secretive art gets some eloquent words that actually relate to Sonny's personal
"issues." There's also a lovely scene in which Sonny describes his
first encounter with magic, as an altar boy at Mass.
Mostly, though, "Disappearing Act" has its heart on its
sleeve rather than having any tricks up it.
"Disappearing
Act," presented by Jenine Smith (producer) at the Hudson Guild Theatre,
6539 Santa Monica Blvd., Los Angeles. Fridays-Saturdays, 8 p.m.; Sundays, 7
p.m. Ends Dec. 21. $15-17.50. (323) 960-7789. 2 hours.