LOS
ANGELES TIMES
March
30, 2004
THEATER
REVIEW
The fleet 'Fully Committed' makes a lovely actor's
showcase as it serves up humor and old-fashioned stereotypes.
By Rob Kendt
As
tough as show business can be on actors' fragile psyches, the jobs they
typically take to pay the rent while pursuing their dreams might have been
specifically designed to humiliate, abuse and generally stress them out.
From
waiting tables to phone sales, these survival jobs very often put them on the
front lines of thankless customer service, where not just their acting talent
but their capacity for Job-like patience is sorely tested. For this they went
to drama school?
Somehow,
struggling New York actor Sam Peliczowski, the put-upon lead of Becky Mode's
"Fully Committed," has managed to combine the worst of two
unappealing worlds: As a reservations operator for a trendy New York eatery, he
gets to experience both the exhausting drama of food service (minus the tips)
and the maddening, impersonal brutality of phone reception work.
As
Sam, in San Fernando Valley Playhouse's new production, an assured Jason Graae
liberally employs his flawless deadpan, a Zippo flicker of slow burn.
And
he uses his still-boyish affect to embody both Sam's sodden frustration and his
well-earned glee when things, improbably but satisfyingly, start to turn his
way.
Graae
is also called on to embody more than 30 other characters, since Mode's play
has one actor racing around a realistically ratty restaurant basement from
headset to intercom, acting out all the voices he hears. It's a rather clumsy
conceit--Chris Beyries' naturalistic set makes a strange arena for this
fantastical multi-character performance--but it makes a lovely actor's showcase
(not to mention an easy-to-produce solo vehicle).
Under
director Glenn Casale, the versatile Graae rises to the challenge, giving each
character not only a distinctive voice but a posture, a mannerism, an
orientation.
There's
the chef, a spoiled, short-fused, jet-setting tyrant--in other words, a
star--whose deceptively casual managerial terrorism Graae nails with blunt wit.
There's the officious maitre-d' Jean-Claude, whose French accent Graae never
quite masters but who remains a staunch fixture of this hurly-burly world.
There's Sam's dad, a lovable heartland mechanic, forever tenderly wiping his
hands on a rag and shaming his son's conscience merely by wishing him well.
Among
the gallery of deep-dish stereotypes who try to beg or bribe a table at the
unnamed, always-overbooked restaurant, recurring turns that stand out are the
flouncy, coke-fueled young Bryce (from Naomi Campbell's office) and the stern,
officious Carol Ann Rosenstein-Fishburne, who threatens to stay on hold all day
if need be.
Sam's
hopes for a theater callback and for a much-needed holiday vacation provide the
show's modest forward momentum, but it's the well-modulated frenzy of his
reception work, centered around a particularly crazy-making lunch rush, that
make the show's 75 minutes fly by agreeably.
Its
fleet pace and low overhead are probably not the only reasons "Fully
Committed" has been so popular on the regional theater circuit since its
1999 Off-Broadway hit run.To be blunt, it's a play whose sense of humor is
nearly as old-fashioned, in its relatively tame way, as "The
Producers," with the biggest laughs coming not from cutting bon mots but
from our presumed recognition of some pretty hoary targets: uncomprehending Asian,
dishy queer, brassy Jew, aw-shucks Midwesterner, haughty Frenchman, decadent
New Yorker.
Still,
if many of the dishes on this menu are well past their expiration date, the
ingratiating Graae serves them up with aplomb.
He's
a bit like the hard-working waiter who manages to land big tips at a three-star
restaurant.
"Fully Committed," San Fernando Valley
Playhouse at the El Portal Theatre, 5269 Lankershim Blvd., N. Hollywood.
Tuesdays-Saturdays, 8 pm.; Sunday, 2 & 7 p.m. Ends Apr. 4. $35-45. (818)
764-2400. Running time: 1 hour, 15 minutes.