LOS
ANGELES TIMES
April
16, 2004
THEATER
BEAT
Think screenwriters are dead in Hollywood once they pass
40? How about a hack well past the 100-year mark, still hammering away at a
biblical epic on his Corona?
In
Peter Lefcourt's diverting what-if scenario, "Only the Dead Know
Burbank," this isn't just any literary dinosaur but none other than
William Faulkner, still alive and slaving away on successive seven-year
contracts with Warner Bros. dating back to 1940.
It's
best not to examine this premise too closely. One can't imagine Faulkner, an
inveterate outdoorsman, could be content holed up on a studio lot, or that he
could survive for decades on a diet of bourbon and microwave soup.
But
suspension of disbelief has its rewards here, as up-and-coming film writer Ira
Krensky (Ross Benjamin) discovers when he moves into the next office. Initially
irked by the drawling crank who calls himself Bill (Lawrence Pressman) and by
the icy old-school secretary they share (Julie Payne), Krensky relents enough
to be touched by Bill's pathos--and to be spooked by the spectacle of a
creative soul stranded in film-studio purgatory.
Director
Peter Bonerz keeps the show snapping across Tom Buderwitz's realistic cutaway
set, but he doesn't skimp on telling nuances.
Pressman
imbues this fantasy Faulkner with a crusty verity, Benjamin makes a nervy foil,
Payne is deliciously crisp and classy, and Adam Richman briskly nails his comic
scenes as Yuri ("as in Andropov"), the lot's resident fixer.
Lefcourt's
affectionate fable bears a gentle reminder to industry types who know Burbank
that perhaps, once upon a time, they knew and aspired to more.
--Rob Kendt
"Only
the Dead Know Burbank," the Inkwell Theater at the Hudson Mainstage, 6539
Santa Monica Blvd., Hollywood. Thursdays-Saturdays, 8 p.m.; Sundays, 7 p.m.
Ends May 30. $20. (323) 960-7753. Running time: 1 hour, 55 minutes.