LOS
ANGELES TIMES
March
5, 2004
THEATER
BEAT
Who's
got a right to sing the blues? You won't find out from Bill Harris' inept play
"Robert Johnson: Trick the Devil," ostensibly about the last hours of
the blues legend's short, storied life.
Harris
delivers some lyrical monologues, and he's got a salty tale or two up his
sleeve, but he's crafted nary a moment of credible interaction or dramatic
tension between five characters, including Johnson (Bob McCollum Jr.), who
cross paths in a Texas "jook joint" in 1938.
Director
William Arrigon's listless new production doesn't help: Most of the actors
deliver their dialogue like stump speeches--even when they're not addressing
the audience--and the show's scant live music is only passably performed.
When
Kimbrough (Chris Winfield), a Shakespeare-spouting white scholar who seeks out
Johnson for his own ludicrously metaphorical reasons, asks the sharp-dressed
singer to prove he's the real thing, McCollum grabs a guitar, plunks out two
basic blues chords--and we're supposed to believe this guy is, as Kimbrough
puts it, "the best there ever was"?
We
might forgive this oversight if the nonmusical part of McCollum's performance
wasn't also off-key and strangely timed. Winfield's work is similarly muddled.
As
a garrulous blind sage, Ted Jones has his moments, as do Tracy Taylor as the
jook joint's sexy, independent proprietress and Marcus Hester as her
beaten-down lunk of a husband.
But
you know a show's in trouble when the pre-show and intermission soundtrack--authentic
blues recordings, including some of Johnson's--upstages the show itself.
--Rob Kendt
"Robert
Johnson: Trick the Devil," the Lonny Chapman Group Repertory Theatre,
10900 Burbank Blvd., N. Hollywood. Saturdays, 2 p.m.; Sundays, 7 p.m., thru
Mar. 7. Then Fridays-Saturdays, 8 p.m.; Sundays, 3 p.m. $16. (818) 771-8260.
Running time: 2 hours, 5 minutes.