LOS
ANGELES TIMES
March
26, 2004
THEATER
BEAT
The
appeal of the unattainable, as old as forbidden fruit, is grist in the gears of
Agustin Moreto's exquisite 17th-century comic timepiece, called "Spite for
Spite" in Dakin Matthews' crisp, conversational new verse translation.
If
director Anne McNaughton's production feels a bit perfunctory, with resplendent
costumes by Dean Cameron but only a few trees and a painted drop for a set on
the NewPlace Theatre Center's tiny stage, it's not for lack of verbal dexterity
or performative relish.
Lance
Guest and Julia Fletcher head the cast as Carlos and Diana, two will-be lovers
whose desire is sharpened by a studied, competitive disdain, egged on by
Carlos' chucklingly deceptive servant Moth (Paul Willson, alternating with
Matthews in the role).
All
three leads give their lines bite and bounce: Guest with a lunging, leonine
charm, Fletcher with a fan-snapping hauteur that thaws into a warm glow, and
Willson with a conspiratorial, self-amused deadpan that evokes W.C. Fields.
Without breaking a sweat, Willson earns his laughs with such sassy
scene-closers as, "Roll up the rugs, it's gonna start hoppin' in
here/Higher than hailstones off a horse's rear!"
Machinations
move along relatively fleetly, accompanied by Carl Smith's pristine guitar
accompaniment. A glaze of tedium does begin to congeal on a series of plodding
dances and courtship rituals whose quaint formality is at odds with the rest of
the production's almost vaudevillian vigor. And the second act's inevitable
capitulations and clinches feel a bit long in coming.
Still,
for a screwball confection as light as it is tasty, "Spite for Spite"
hits the spot.
--Rob Kendt
"Spite for Spite," Andak Stage Company a
NewPlace Theatre Center, 4900 N. Vineland Ave., N. Hollywood. Wednesdays, 8
p.m.; Saturdays-Sundays, 2 p.m. Ends Apr. 4. $16. (818) 506-8462. Running time:
2 hours.